This is part one of a five part series. I will be going through how I interpret certain values using various letterforms. In this first week, I’m sharing the process I use to visualize a certain idea through letterforms. This week is just the abstract. The following four weeks will go through seven specific examples:
Convey ideas through association
Letters are abstract symbols. What is this symbol an abstraction of? In the case of letters, they are agreed upon representations of certain sounds. Letters don’t actually look anything like the sounds they represent, but they have associations with the sound in our minds.
Evoking a mood or an idea with abstract symbols involves association. Which association depends not only on the letter, but the way the letter is written or drawn. Different type styles make me think of different things. The only reason it might make me think or feel a certain way is because I have come to associate a certain letter style with a certain thought or feeling.
What do I associate with the idea?
Some ways a letter style makes me feel are because of personal interactions. These associations may not be true for all people, they just happen to be true for me. I may associate a certain type style with candy because it was used in the signage of a local candy store growing up. That may only be true for me, but it could be true for more people. The candy shop may have chosen that letter style because other candy shops have too. Or perhaps it was chosen because there were other associations with candy the sign maker had in mind.
While personal feelings about certain type styles may not be universal, they are a good starting point.
What are some historical associations with the idea?
The next best place to look is historical association. When I am trying to connect an idea with a visual, I first see what real world examples of that idea come to mind. Are there people or events or places or times in history associated with this idea? What letter styles surrounded them? What letter styles were popular during a certain time period associated with the idea? What fonts were being used in literature about the idea? What letters on posters or play bills advertised cultural productions around the idea? What kind of type was used in propaganda to spread this idea?
History is the strongest place to find widely shared type idea associations. We have a shared history as humanity. But remember, there are specific cultural, national, and local histories as well. The same type style may have been used in service of different ideas in different places at different times. So a fraktur blackletter may mean a very different thing to someone from Mexico than it does to someone from Poland.
If history is limiting based on culture, time and geography, then what other associations may have a broader reach?
What kind of body language communicates the idea?
We have body language that communicates universally across humanity. Letter forms have a body language of their own. We naturally seek out our own human attributes in other objects. People anthropomorphise animals and inanimate objects all the time. The same is true to a degree with letter forms.
If I imagine human attributes in my letter forms, then I can manipulate those forms to reflect a certain mood based on human body language.
Consider an uppercase I with bilateral serifs on the top and bottom. The upper serifs are like eyebrows, and the lower serifs like a mouth. If I draw them both arcing down, the I looks sad. If I draw the top arching up and the bottom arching down, it looks angry. If I draw it with both sets curving upward, it looks happy.
How would I write while feeling or embodying the idea?
The last way I consider associations with letter styles is in how they are written. I imagine how I would write or draw the letters if I were to embody the idea I’m considering. How would this idea change the way I write? Would it change the tool I choose to use? Would it change the force or steadiness with which I wrote?
These kinds of questions lead to subtle changes in detail. But the subtle details make a difference in what the letters communicate visually.
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In the next post I’ll start into specific examples of how to communicate a certain idea with letter forms, beginning with the idea of Community.